This sculpture, inspired by contemporary industrial abstraction, began as an exploration of form and negative space, reminiscent of steel geometric forms found in towering skyscrapers.

I would categorize this sculpture as Contemporary Industrial Abstraction, drawing from Constructivist principles that emphasize the honesty of steel and the purity of geometric form. Standing at a formidable scale of eight feet in height, this skyscrapers sculpture initially confronts the viewer with the aggressive, overlapping planes reminiscent of a modern metropolis, with its tall buildings and confined spaces. Upon close inspection, the acute angles and heavy steel plates evoke a sense of 'tectonic density,' capturing the verticality and confined energy synonymous with city skyscrapers. It embodies the fast-paced, industrial chapter of one’s life: structured, massive, and imposing.
However, as one moves away from the piece, a visual transformation takes place. The jagged, 'crowded' lines begin to harmonize into a rhythmic silhouette of mountain ranges and forest canopies. This shift on the horizon serves as a profound metaphor for your own migration: leaving behind the rigid confines of the urban grid for the soft, expansive peace of a rural retreat. Here, among the 'peaks' of the sculpture and the natural river stones at its base, the industrial weight of the past gives way to the enduring stillness of the landscape. It is a monument to the transition from the labor of the city to serenity.