Although global politics in 2025 may lend unexpected relevance to this sculpture’s name, its true inspiration came from creative frustration—and, in part, from my sister.
February can be a challenging time for creativity. In the depths of winter, I turned to a familiar theme: trees. To break through the creative block, I experimented with vibrant materials, letting the process lead me.
I started by scanning the shop, piecing together elements from half-finished projects. The tree’s trunk took shape on the floor, but I wanted more fluidity than my usual designs. Brass cymbals from my drum set became leaves, plasma-cut into organic shapes.
Visualizing the sculpture on the shop floor proved difficult, so I transferred the design to a life-sized sketch on the wall. This guided the composition as I cut and welded the trunk and branches. The brass leaves followed, held in place, cut off, and re-welded over and over for weeks as I refined the spacing.
Once satisfied, I polished the brass, added mounting brackets, and applied protective coatings. The process became cathartic—both an artistic breakthrough and a new fusion of metals in my evolving style.
When I sent a photo to my sister, her response was immediate: “It’s on fire!”And with that, the sculpture had its name.
Images are an integral component of my sculptural works, capturing the essence of nature's resilience and strength.
Take, for example, the graceful curve of the tree trunk, a visual representation of perseverance in the face of adversity. Initially, the trunk is shaped by the unyielding forces of the wind, bending it to the right. However, over time, the tree begins to push back against the wind, channeling its growth energy into the resistance.
This serves as a powerful metaphor for life's challenges. Like the tree leaning into the wind, we, too, must confront obstacles head-on. Through courage and determination, we grow stronger, gaining confidence in our ability to adapt. Whether in relationships, careers, or daily struggles, true growth comes from embracing adversity.
This metal sculpture seamlessly integrates into my evolving artistic style, defined by bold contrasts—deep, earthy tones against gleaming, polished brass.
As my audience expands, so does the demand for a broader colour palette. Traditionally, collectors in Southern Ontario have favoured natural hues like Gunmetal, Pewter, and Oxidized finishes. However, a shift is underway. There’s growing interest in bold accents, painted elements, and coloured metals like Brass, Copper, and Stainless Steel.